The space-or-newness trade-off that the budget invented
Showing the misleading chart
Inside a $180,000–$220,000 house-hunting bracket, floor area and year built run −0.34: every extra 1,000 square feet costs you twenty years of building age. Take the price filter off and the same 2,930 sales run +0.24 the other way — bigger houses are newer. Price is what size and age jointly produce, so slicing by it forces the two to compensate.
01The claim
Here is every residential sale in the assessor’s record that closed between $180,000 and $220,000 — 485 homes, all of them, nothing sampled and nothing smoothed. Each dot is one house that actually changed hands: floor area across, year of construction up. Both scales are linear and unbroken, neither is truncated, neither is logged, there is no second axis, and every one of the 485 sales is on the panel and in the tables. The pattern is not subtle and it is not our opinion: the correlation is −0.34, and the least-squares line falls 20.1 years for every 1,000 square feet you add. Read it at three sizes and the exchange rate is plain — at 1,200 sq ft the line sits at 1997, at 1,800 sq ft at 1985, at 2,400 sq ft at 1973. Cut the same 485 homes into fifths by size — 97 in each, since 485 divides exactly — and the median year built runs 2004, 2001, 1998, 1998, 1978. Cut them the other way, by decade built, and the law appears from the other side: the pre-1950 homes in the bracket have a median of 1,824 square feet and the 2000s homes 1,504. Split the bracket by year of sale and it holds five times out of five: −0.27, −0.24, −0.46, −0.52, −0.45, with 2010 running to July where the record ends. We tried to break it and could not: drop the five largest houses in the file, which the data’s own author suggests doing, and it comes out at −0.44, stronger; keep only ordinary arm’s-length sales and it is −0.38. So decide which kind of household you are before you start viewing, because the market has already decided you cannot be both. In this bracket, space and newness are not two things you shop for. They are one thing you divide.
02The trick
Every number on that slide is right, and the crime is not on the panel — it is in the first line of the subhead, where the slide says which homes it kept. It filtered on price. Price is not a third variable to hold constant while you study the other two; price is what floor area and construction year jointly produce. Make a house bigger and it costs more; make it newer and it costs more. Fix the price and you have not controlled for anything — you have required the two to compensate for each other, because inside a $40,000 window a house can only be large by being old and only new by being small. That is why the bracket is a diagonal. Tabulate the median sale price of all 2,930 sales by size and by decade built and it climbs in both directions at once, from $97,200 for a small pre-war house to $356,383 for a large new one; the cells whose medians land between $180,000 and $220,000 form a stripe running from top-right to bottom-left, and a diagonal slice through two rising quantities slopes downward before a single house has been looked at. Take the filter off and the same 2,930 sales run +0.24 the other way: across the whole market bigger houses are newer, by 14.5 years per 1,000 square feet. The same five decades tell it plainly without a correlation anywhere — across the market the 2000s homes are 291 square feet larger than the pre-war ones; inside the bracket they are 320 square feet smaller. Two corners of the picture are what the budget actually removed. One hundred and fifty homes in the record are both big (2,000 sq ft and over) and new (built 2000 or later); their median price is $342,322 and exactly four of them reach the bracket. Two hundred and fifty are both small (under 1,200 sq ft) and old (built 1950 or earlier); their median is $99,500 and none reach it. Both kinds exist in numbers. One is priced out of the top of your budget and the other out of the bottom, and with those two corners gone the survivors have no choice but to trade off. Every check the slide offers as proof turns out to be a check on the filter rather than on the finding. Five years of agreement is what a filter looks like: it is applied every year. So is robustness to dropping outliers — the filter is still there afterwards, which is why the trade-off strengthens to −0.44 rather than weakening. Every one of the ten price deciles is negative — −0.16, −0.43, −0.41, −0.46, −0.26, −0.33, −0.29, −0.41, −0.34, −0.39 — so the bracket was not a lucky pick; any band tight enough to be a budget would have done it. And the strength is a dial with the filter’s hand on it: a band of ±$5,000 around $200,000 gives −0.56, ±$20,000 gives the slide’s −0.34, ±$60,000 gives −0.11, ±$100,000 gives +0.09, and no filter at all gives +0.24. This is Berkson’s paradox, named for the Mayo Clinic statistician who worked out in 1946 that two unrelated diseases come out looking like alternatives among hospital patients, because being admitted takes one or the other. It is worth keeping distinct from Simpson’s paradox, which it resembles exactly on the page and wants the opposite treatment. Simpson’s paradox as you usually meet it comes from a confounder — a cause the two variables share — and the fix there is to break the comparison out by it. This comes from a collider — an effect they share — and breaking the comparison out by that is what caused it. The test is a question about direction rather than about statistics: does the thing I am slicing on produce my two variables, or is it produced by them? (Both drawings are our own; the estate agency on the first is invented, and every figure on both is computed from the assessor’s file.)
03The fix
Take the filter off and draw it on. The honest chart here is all 2,930 sales with the bracket shaded — one picture in which the slice is visibly a diagonal and the two corners it deleted are sitting just outside it, still on the page, at median prices of $342,322 and $99,500. Everything else follows from that image: the whole-market line rising at +14.5 years per 1,000 square feet, the bracket line falling at −20.1, and the reader able to see that both are true and only one is about houses. Where the filter cannot be lifted — the customers who never converted were never recorded, the rejected applicants were never measured, the studies that missed significance were never published — the direction is still knowable in advance, and this is the most useful thing about the whole phenomenon: selecting on a common effect pushes the association between its causes negative, so you can say which way the number leans before you have seen it — and why the tighter the slice, the surer the trade-off looks. So say what a row had to do to be in the table, in a line on the chart, the way you would print a unit on an axis, and then ask whether the two columns you are about to compare helped it do that. If they did, some of the relationship you find between them is the entry rule. Two habits make it routine. Draw the two-by-two and look for the empty corner: a real trade-off thins out gradually at both extremes, while a filter deletes exactly the corner that could not clear the bar. And move the boundary: if narrowing the slice deepens the negative relationship and widening it brings the positive one back, you have found a dial rather than a finding. Keep the distinction from Simpson’s paradox sharp, because the two are identical on the page and opposite in treatment — adjust for a confounder, never for a collider, and settle which you have by asking whether the thing you sliced on causes your variables or is caused by them. And note what does not help: every robustness check on this exhibit — five separate years, outlier removal, arm’s-length sales only — leaves the filter in place, so all of them come back agreeing. And when the slice genuinely is the question, which it is for anyone with a fixed budget or a fixed shortlist, keep the finding attached to it: this is a true and useful fact about what $200,000 buys in Ames, and a false one about houses. The moment the budget moves, the law it looked like goes with it.